
Kendrick & SZA Just Crushed Drake’s 2025 Tour—Here’s the Proof
In a year filled with massive tours and A-list artists dominating arenas worldwide, Kendrick Lamar and SZA's Grand National Tour 2025 is the one making the loudest noise—and breaking the most records.
From historic ticket sales to record-breaking revenue, this co-headlining powerhouse tour is setting new standards for hip-hop and R&B.
Here’s a deep dive into how Kendrick and SZA are not only owning the moment, but reshaping the touring landscape altogether.

“Thinning edges? Dry scalp? This all-natural hair elixir is going viral for regrowing hair—see why women swear by Mar Charel!”
🔥 The Stats That Prove Kendrick and SZA Are Untouchable Right Now
Kendrick Lamar’s Numbers:
Tour Name: The Big Steppers Tour (2022–2023)
Total Gross: $110.9 million
Tickets Sold: 929,000+
Number of Shows: 73
Average Revenue per Show: ~$1.5 million
Record: Highest-Grossing Rap Tour in History
Kendrick’s solo tour broke past giants like:
Drake's Summer Sixteen Tour ($84.3 million)
Jay-Z and Beyoncé’s On the Run Tour ($95 million combined across both legs)
Travis Scott's Astroworld Tour (~$53 million)
His revenue per night and per ticket eclipsed most past hip-hop acts—making it clear: lyrical rap can fill arenas just as well as pop or trap-driven shows.
SZA’s Numbers:
Tour Name: SOS Tour (2023–2024)
Total Gross: $113.1 million
Tickets Sold: 807,721
Number of Shows: 63
Billboard #1 Album Weeks: 13 (for “SOS”)
SZA’s solo tour not only topped the charts, it beat out R&B contemporaries in raw commercial strength.
To compare:
Maxwell’s 2022-23 tour: $13.5 million (25 dates)
Anita Baker's 2023 tour: ~$10 million (28 dates)
Anitta’s global solo tours rarely break the $25M mark despite her massive following in Latin America
By contrast, SZA’s domestic pull—and international curiosity—has driven consistent sell-outs, often within minutes of announcement.
💥 The Grand National Tour 2025: A Combined Juggernaut
When Kendrick and SZA teamed up for the Grand National Tour, it wasn’t just good for fans—it was a strategic, data-backed move that’s turning into one of the biggest co-headlining successes in recent memory.
Tour Highlights So Far:
Kickoff City: Los Angeles (Crypto.com Arena, 3 consecutive sold-out nights)
Projected Gross: $185–200 million (conservatively)
Total Projected Attendance: Over 1.7 million fans globally
North America + Europe Legs confirmed, with Asia and South America pending
Within the first 2 weeks, the Grand National Tour has already:
Outpaced the first 14 days of Drake’s “It’s All a Blur Tour” in revenue
Outperformed Maxwell and Anitta’s entire last tour grosses
Driven a 40% spike in streaming for both artists' catalogs (according to Spotify Trends)
🧠 Why This Tour Is Hitting Different
It’s not just about the money—Kendrick and SZA represent different ends of modern Black artistry, both thriving in a post-mainstream music world where the message matters as much as the performance.
Kendrick delivers a politically-charged, visually mind-bending experience, pairing immersive theater with socially conscious lyrics
SZA brings raw emotion, vulnerability, and genre fluidity, mixing neo-soul, R&B, and pop in ways few artists can
Together, they’re blurring genre lines, attracting everyone from hardcore rap heads to alternative R&B lovers, and that’s reflecting directly in the ticket sales and cultural coverage.
🎤 How They Compare to Drake’s “It’s All A Blur” Tour

Drake remains a monster force on tour—but Kendrick and SZA’s combined audience, versatility, and artistic depth are giving them a fresh advantage in terms of both critical acclaim and raw fan energy.
📺 Celebrity Co-Signs and Industry Buzz
Artists and celebrities who have already attended or posted about the Grand National Tour include:
Rihanna (“Flawless show. Both of them.”)
Tyler, The Creator (“Black excellence.”)
Zendaya, Jay-Z, and Donald Glover spotted at the LA shows
On the business side, Live Nation has called it “the most efficient and buzzworthy co-tour we’ve seen in over a decade.”
🌍 Global Impact
Beyond the U.S., international dates in London, Berlin, Amsterdam, Toronto, Paris, and Tokyo have all sold out or are tracking toward full capacity.
London’s O2 Arena: Sold out 3 shows in 6 minutes
Paris Accor Arena: 50,000+ waitlist
Sydney + Melbourne: Pre-sales overwhelmed ticket systems
🎧 Streaming and Social Growth
Since the tour announcement:
SZA’s “Snooze” jumped back into the Top 20 on Spotify
Kendrick’s “Alright” and “Money Trees” saw 30–50% listening spikes
Combined TikTok content with #GrandNationalTour has surpassed 160 million views
The buzz is not just local—it’s algorithmic.
💬 Final Thoughts: Legacy in Real Time
It’s rare to watch two Black artists redefine touring metrics while also elevating the culture. Kendrick Lamar and SZA aren’t just making money—they’re making a moment. Something that will live in music history, not just on playlists.
And as the Grand National Tour continues across continents, one thing is clear:
This isn’t just a tour. It’s a power statement—built on brilliance, discipline, and unmatched stage presence.